Giuseppe Concone · 50 Lessons, Op. 9
50 Lessons, Op. 9 for euphonium
Every study in its printed key, in the lowest octave that fits the euphonium's range, in tenor clef or bass clef.
50 studies, 55 pages · tenor clef or bass clef · Letter + A4
Contents
50 studies in 13 keys.
- 1C major
- 2G major
- 3C major
- 4F major
- 5F major
- 6C minor
- 7F major
- 8B♭ major
- 9F major
- 10A♭ major
- 11F major
- 12C minor
- 13G major
- 14G minor
- 15A major
- 16D major
- 17C major
- 18A♭ major
- 19D♭ major
- 20A♭ major
- 21E♭ major
- 22C major
- 23G major
- 24G minor
- 25A major
- 26D major
- 27G major
- 28C major
- 29A♭ major
- 30F major
- 31B♭ major
- 32E♭ major
- 33A♭ major
- 34A major
- 35A major
- 36C major
- 37D major
- 38G major
- 39B♭ minor
- 40G major
- 41G major
- 42A♭ major
- 43E♭ major
- 44A♭ major
- 45F major
- 46B♭ major
- 47B♭ minor
- 48C major
- 49B♭ major
- 50D minor
About the 50 Lessons, Op. 9
Giuseppe Concone’s 50 Lessons, Op. 9, are the first book of singing studies most instrumentalists meet: short, melodic, and graded from the simplest to the florid. Written for the voice in Paris in the 1830s.
Source: Ricordi, Milan (E.R. 1167).
Engraved like a printed part
Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.
For you and your studio
Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.
Cut for euphonium
Every study sits in and reads in its clef, so nothing has to be transposed at the stand.
More editions for your practice room
Giuseppe Concone · 50 Lessons, Op. 9
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Every study in its printed key, in the lowest octave that fits the euphonium's range, in tenor clef or bass clef.
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