Michel Bléger · 30 Etudes Brillantes

30 Etudes Brillantes for euphonium

Every study in its printed key, in the lowest octave that fits the euphonium's range, in tenor clef or bass clef.

31 studies in tenor clef or bass clef, each in its printed key, set in the lowest octave that fits the euphonium's range, with the edition’s dynamics, breaths and phrasing.

31
studies
15
keys
tenor clef or bass clef
clef
38
pages (Letter)

US$12paid once

Download the first study free (PDF)

The first page of 30 Etudes Brillantes for euphonium
The title page, the first studies and two pages further in, as printed.

Contents

31 studies in 15 keys.

  1. 1C major · tenor clef
  2. 2F major · tenor clef
  3. 3F minor · tenor clef
  4. 4B♭ minor · bass clef
  5. 5G major · tenor clef
  6. 6B♭ major · tenor clef
  7. 7E♭ major · bass clef
  8. 8A♭ minor · tenor clef
  9. 9D major · tenor clef
  10. 10A minor · tenor clef
  11. 11D major · tenor clef
  12. 12D♭ major · tenor clef
  13. 13C minor · tenor clef
  14. 14G major · bass clef
  15. 15B♭ major · tenor clef
  16. 16F major · tenor clef
  17. 17B♭ major · tenor clef
  18. 18E major · tenor clef
  19. 19B♭ major · tenor clef
  20. 20C major · bass clef
  21. 21B♭ major · bass clef
  22. 22A♭ major · tenor clef
  23. 23C major · tenor clef
  24. 24F major · bass clef
  25. 25E♭ major · tenor clef
  26. 26G major · tenor clef
  27. 27D major · tenor clef
  28. 28A major · tenor clef
  29. 29E major · tenor clef
  30. 30F major · tenor clef
  31. 31B♭ major · tenor clef

About the 30 Etudes Brillantes

Michel Bléger’s 30 Études brillantes for trombone, written in Paris in the nineteenth century: melodic studies in the French style, with a singing line and brilliant passage-work.

Source: The scan at the Bibliothèque nationale de France (Gallica).

The 30 Etudes Brillantes for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins, one study to a page or a spread, never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for euphonium

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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