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Franz Wilhelm Ferling · 48 Studies, Op. 31

48 Studies, Op. 31 for bassoon, in tenor clef

Every study in tenor clef, in the bassoon's range.

48 studies in tenor clef throughout, in the bassoon's range, with the edition’s dynamics, breaths and phrasing: the book as a clef-reading study.

48
studies
24
keys
tenor clef
clef
61
pages (Letter)

US$12PDF, Letter and A4

Try the first study free (PDF)

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

48 studies in 24 keys.

  1. 1C major
  2. 2C major
  3. 3C minor
  4. 4C minor
  5. 5G major
  6. 6G major
  7. 7G minor
  8. 8G minor
  9. 9F major
  10. 10F major
  11. 11F minor
  12. 12F minor
  13. 13D major
  14. 14D major
  15. 15D minor
  16. 16D minor
  17. 17B♭ major
  18. 18B♭ major
  19. 19B♭ minor
  20. 20B♭ minor
  21. 21A major
  22. 22A major
  23. 23A minor
  24. 24A minor
  25. 25E♭ major
  26. 26E♭ major
  27. 27E♭ minor
  28. 28E♭ minor
  29. 29E major
  30. 30E major
  31. 31E minor
  32. 32E minor
  33. 33A♭ major
  34. 34A♭ major
  35. 35A♭ minor
  36. 36A♭ minor
  37. 37B major
  38. 38B major
  39. 39B minor
  40. 40B minor
  41. 41D♭ major
  42. 42D♭ major
  43. 43D♭ minor
  44. 44D♭ minor
  45. 45G♭ major
  46. 46G♭ major
  47. 47G♭ minor
  48. 48G♭ minor

About the 48 Studies, Op. 31

Franz Wilhelm Ferling’s 48 Studies, Op. 31, written for the oboe in 1837: a slow study and a fast one in every major and minor key. The standard book for oboe and, in Marcel Mule’s reading, for saxophone.

Source: Edited by M. A. Ivanov (Gosmuzizdat, Moscow, 1949).

The 48 Studies, Op. 31 for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for bassoon

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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