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Giuseppe Concone · 50 Lessons, Op. 9

50 Lessons, Op. 9 for bassoon, in tenor clef

Every study in tenor clef, in the bassoon's range.

50 studies in tenor clef throughout, in the bassoon's range, with the edition’s dynamics, breaths and phrasing: the book as a clef-reading study.

50
studies
13
keys
tenor clef
clef
55
pages (Letter)

US$12PDF, Letter and A4

Try the first study free (PDF)

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

50 studies in 13 keys.

  1. 1C major
  2. 2G major
  3. 3C major
  4. 4F major
  5. 5F major
  6. 6C minor
  7. 7F major
  8. 8B♭ major
  9. 9F major
  10. 10A♭ major
  11. 11F major
  12. 12C minor
  13. 13G major
  14. 14G minor
  15. 15A major
  16. 16D major
  17. 17C major
  18. 18A♭ major
  19. 19D♭ major
  20. 20A♭ major
  21. 21E♭ major
  22. 22C major
  23. 23G major
  24. 24G minor
  25. 25A major
  26. 26D major
  27. 27G major
  28. 28C major
  29. 29A♭ major
  30. 30F major
  31. 31B♭ major
  32. 32E♭ major
  33. 33A♭ major
  34. 34A major
  35. 35A major
  36. 36C major
  37. 37D major
  38. 38G major
  39. 39B♭ minor
  40. 40G major
  41. 41G major
  42. 42A♭ major
  43. 43E♭ major
  44. 44A♭ major
  45. 45F major
  46. 46B♭ major
  47. 47B♭ minor
  48. 48C major
  49. 49B♭ major
  50. 50D minor

About the 50 Lessons, Op. 9

Giuseppe Concone’s 50 Lessons, Op. 9, are the first book of singing studies most instrumentalists meet: short, melodic, and graded from the simplest to the florid. Written for the voice in Paris in the 1830s.

Source: Ricordi, Milan (E.R. 1167).

The 50 Lessons, Op. 9 for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for bassoon

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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