Marco Bordogni · Vocalises

Vocalises for bassoon, in tenor clef

Every study in tenor clef, in the bassoon's range.

53 studies in tenor clef throughout, in the bassoon's range, with the edition’s dynamics, breaths and phrasing: the book as a clef-reading study.

53
studies
15
keys
tenor clef
clef
68
pages (Letter)

US$12PDF, Letter and A4

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

53 studies in 15 keys.

  1. 1C major
  2. 2F major
  3. 3G major
  4. 4F major
  5. 5C major
  6. 6E♭ major
  7. 7B♭ major
  8. 8D major
  9. 9C major
  10. 10B♭ minor
  11. 11F major
  12. 12D♭ major
  13. 13E♭ major
  14. 14B♭ major
  15. 15E♭ major
  16. 16A♭ major
  17. 17G major
  18. 18A♭ major
  19. 19D♭ major
  20. 20E♭ major
  21. 21F major
  22. 22D major
  23. 23A♭ minor
  24. 24C minor
  25. 25A major
  26. 26F major
  27. 27D major
  28. 28D major
  29. 29A♭ major
  30. 30C major
  31. 31E♭ major
  32. 32G major
  33. 33G major
  34. 34G minor
  35. 35F major
  36. 36E major
  37. 37C major
  38. 38G major
  39. 39E♭ major
  40. 40D major
  41. 41G minor
  42. 42F major
  43. 43C major
  44. 44A♭ major
  45. 45C major
  46. 46A minor
  47. 47B♭ major
  48. 48E major
  49. 49A♭ major
  50. 50A major
  51. 51C major
  52. 52G minor
  53. 53D♭ major

About the Vocalises

The vocalises of Marco Bordogni have been cherished by generations of vocalists and instrumentalists. Perfect the art of legato and phrasing with these timeless studies. Joannes Rochut, principal trombone of the Boston Symphony Orchestra, transcribed them for trombone in 1928.

Source: Engraved by Practice Farm from Bordogni's own prints, published by the author in Paris: 24 nouvelles vocalises à la portée de toutes les voix, 11e livre (1849), Nos. 1 to 14 and 16 to 25; 24 nouvelles vocalises pour mezzo-soprano ou contralto, 12e livre (1855), Nos. 15, 26 to 45 and 49 to 51; 12 nouvelles vocalises pour mezzo-soprano, 8e livre (1847), Nos. 46 to 48, 52 and 53. Copies: Bibliothèque nationale de France, département de la Musique, VM8 A-37, A-39 and A-36, digitised on Gallica.

The Vocalises for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for bassoon

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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