Marco Bordogni

Vocalises

The vocalises of Marco Bordogni have been cherished by generations of vocalists and instrumentalists. Perfect the art of legato and phrasing with these timeless studies. Joannes Rochut, principal trombone of the Boston Symphony Orchestra, transcribed them for trombone in 1928.

Cut for trombone, alto trombone, bass trombone: each edition moves every study into that instrument’s range and clef.

Source: Engraved by Practice Farm from Bordogni's own prints, published by the author in Paris: 24 nouvelles vocalises à la portée de toutes les voix, 11e livre (1849), Nos. 1 to 14 and 16 to 25; 24 nouvelles vocalises pour mezzo-soprano ou contralto, 12e livre (1855), Nos. 15, 26 to 45 and 49 to 51; 12 nouvelles vocalises pour mezzo-soprano, 8e livre (1847), Nos. 46 to 48, 52 and 53. Copies: Bibliothèque nationale de France, département de la Musique, VM8 A-37, A-39 and A-36, digitised on Gallica.

5 editions · US$12 a book, paid once

The first page of Vocalises

Cut for each instrument

  • Trombone

    • Vocalises for trombone

      Every study as printed, in bass clef, in the trombone's range.

      bass clef · 53 studies, 74 pages · Letter + A4

      US$12paid once

    • Vocalises, up a fifth, in tenor clef

      The classic high-register practice: every vocalise a perfect fifth above the print, read in tenor clef.

      tenor clef · 53 studies, 74 pages · Letter + A4

      US$12paid once

    • Vocalises in random keys

      Every vocalise in a key picked at random within the tenor trombone's range, in bass or tenor clef as the music sits.

      tenor clef or bass clef · 53 studies, 70 pages · Letter + A4

      US$12paid once

  • Alto trombone

    alto clef · 53 studies, 70 pages · Letter + A4

    US$12paid once

  • Bass trombone

    bass clef · 53 studies, 86 pages · Letter + A4

    US$12paid once

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins, one study to a page or a spread, never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Other books: Giuseppe Concone, The Complete Concone, Giuseppe Concone, 50 Lessons, Op. 9

All editions