Johann Sebastian Bach · Cello Suites, BWV 1007-1012

Cello Suites, BWV 1007-1012 for euphonium

Every study in its printed key, in the lowest octave that fits the euphonium's range, in tenor clef or bass clef.

30 studies in tenor clef or bass clef, each in its printed key, set in the lowest octave that fits the euphonium's range, with the edition’s dynamics, breaths and phrasing.

30
studies
5
keys
tenor clef or bass clef
clef
57
pages (Letter)

US$12PDF, Letter and A4

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

30 studies in 5 keys.

  1. 1G major · bass clef
  2. 2G major · bass clef
  3. 3G major · bass clef
  4. 4G major · bass clef
  5. 5G major · bass clef
  6. 6G major · bass clef
  7. 7C major · bass clef
  8. 8C major · bass clef
  9. 9C major · bass clef
  10. 10C major · bass clef
  11. 11C major · bass clef
  12. 12C major · bass clef
  13. 13E♭ major · bass clef
  14. 14E♭ major · bass clef
  15. 15E♭ major · bass clef
  16. 16E♭ major · bass clef
  17. 17E♭ major · bass clef
  18. 18E♭ major · bass clef
  19. 19E♭ minor · bass clef
  20. 20E♭ minor · bass clef
  21. 21E♭ minor · bass clef
  22. 22E♭ minor · bass clef
  23. 23E♭ minor · bass clef
  24. 24E♭ minor · bass clef
  25. 25G major · bass clef
  26. 26G major · bass clef
  27. 27G major · bass clef
  28. 28G minor · tenor clef
  29. 29G major · bass clef
  30. 30G major · bass clef

About the Cello Suites, BWV 1007-1012

Johann Sebastian Bach’s Cello Suites Nos. 1, 3, 4, 5 and 6, BWV 1007 and 1009-1012: thirty movements, prelude to gigue, the unaccompanied repertoire every cellist reads and every low instrument borrows. Suite No. 2 is not included.

Source: Cellofun.eu's editions, dedicated to the public domain; Suite No. 2 is Frédéric Boulanger's transcription, CC BY-SA 4.0.

The Cello Suites, BWV 1007-1012 for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for euphonium

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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