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Giuseppe Concone · 40 Lessons for Bass, Op. 17

40 Lessons for Bass, Op. 17 for bassoon, in tenor clef

Every study in tenor clef, in the bassoon's range.

40 studies in tenor clef throughout, in the bassoon's range, with the edition’s dynamics, breaths and phrasing: the book as a clef-reading study.

40
studies
14
keys
tenor clef
clef
52
pages (Letter)

US$12PDF, Letter and A4

Try the first study free (PDF)

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

40 studies in 14 keys.

  1. 1B♭ major
  2. 2E♭ major
  3. 3A♭ major
  4. 4E major
  5. 5C minor
  6. 6F major
  7. 7F major
  8. 8B♭ major
  9. 9F major
  10. 10C major
  11. 11F major
  12. 12C major
  13. 13A♭ minor
  14. 14D♭ major
  15. 15A major
  16. 16D major
  17. 17G major
  18. 18E♭ major
  19. 19G major
  20. 20E♭ minor
  21. 21F major
  22. 22B♭ major
  23. 23E♭ major
  24. 24A♭ major
  25. 25D♭ major
  26. 26F major
  27. 27C major
  28. 28F major
  29. 29B♭ major
  30. 30E♭ major
  31. 31A♭ major
  32. 32D♭ major
  33. 33A major
  34. 34D major
  35. 35A major
  36. 36F major
  37. 37B♭ minor
  38. 38B♭ major
  39. 39E♭ major
  40. 40A♭ major

About the 40 Lessons for Bass, Op. 17

Giuseppe Concone’s 40 Lessons for Bass, Op. 17: the low-voice companion to the Op. 9, with the same melodic writing in the bass register. Read on bass trombone, tuba, bassoon and double bass.

Source: Revised by Eduard Gärtner (Universal-Edition 448, Vienna).

The 40 Lessons for Bass, Op. 17 for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for bassoon

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

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