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Marco Bordogni · The Complete Vocalises

The Complete Vocalises for trombone, in the low range

Every study transposed so its lowest note is low C to maximize the practice of the trigger register of the tenor trombone. With piano accompaniments for Nos. 1–132, in the same keys.

132
studies
18
keys
bass clef
clef
273
pages (Letter)

US$19PDF, Letter and A4

Try the first study free (PDF) Hear the piano

Studio licence included: print copies for your own students.

Piano accompaniment samples

Play the vocalises with piano accompaniment.

All 132 studies include Bordogni’s original piano accompaniment. Each track opens with two bars of ticks, and after a fermata two ticks indicate the rhythm for re-entry.

  • 1C major= 60

    whole · 1:48

  • 23A♭ minor= 58

    first 45 seconds

  • 24C minor= 120

    first 45 seconds

No. 1 whole, the study the free sample prints, so you can play the whole thing before buying; and two more for their first 45 seconds.

The piano: Salamander Grand Piano by Alexander Holm (CC BY 3.0). Drums: VCSL (CC0) and the JJazzLab SoundFont (CC BY 4.0).

Contents

132 studies in 18 keys.

Nos. 1–132 come with their piano accompaniment.

Book INos. 1–60
  1. 1C major
  2. 2G major
  3. 3A♭ major
  4. 4F major
  5. 5C major
  6. 6F major
  7. 7C major
  8. 8D♭ major
  9. 9C major
  10. 10A♭ minor
  11. 11F major
  12. 12F major
  13. 13F major
  14. 14C major
  15. 15F major
  16. 16A♭ major
  17. 17G♭ major
  18. 18G major
  19. 19C major
  20. 20E major
  21. 21A♭ major
  22. 22F major
  23. 23A♭ minor
  24. 24C minor
  25. 25C major
  26. 26F major
  27. 27F major
  28. 28F major
  29. 29G♭ major
  30. 30D♭ major
  31. 31F major
  32. 32F major
  33. 33A♭ major
  34. 34A♭ minor
  35. 35G♭ major
  36. 36F major
  37. 37C major
  38. 38A major
  39. 39F major
  40. 40F major
  41. 41B♭ minor
  42. 42F major
  43. 43D♭ major
  44. 44A major
  45. 45E♭ major
  46. 46C minor
  47. 47C major
  48. 48F major
  49. 49D♭ major
  50. 50C major
  51. 51E♭ major
  52. 52A minor
  53. 53F major
  54. 54A♭ major
  55. 55A♭ minor
  56. 56C major
  57. 57F major
  58. 58C major
  59. 59D♭ major
  60. 60C major
Book IINos. 61–90
  1. 61E♭ minor
  2. 62E♭ minor
  3. 63C major
  4. 64A♭ major
  5. 65C major
  6. 66F major
  7. 67A♭ major
  8. 68A♭ major
  9. 69F major
  10. 70E♭ major
  11. 71C major
  12. 72E♭ minor
  13. 73C major
  14. 74A♭ major
  15. 75A♭ major
  16. 76D major
  17. 77D minor
  18. 78A♭ minor
  19. 79E♭ minor
  20. 80F major
  21. 81C major
  22. 82C major
  23. 83F major
  24. 84F major
  25. 85A♭ minor
  26. 86C major
  27. 87B♭ major
  28. 88A♭ major
  29. 89E♭ major
  30. 90C major
Book IIINos. 91–120
  1. 91E♭ major
  2. 92C minor
  3. 93E♭ minor
  4. 94A♭ major
  5. 95G major
  6. 96D♭ major
  7. 97D major
  8. 98D minor
  9. 99D♭ major
  10. 100G major
  11. 101C major
  12. 102C minor
  13. 103F major
  14. 104A♭ minor
  15. 105F major
  16. 106F major
  17. 107G major
  18. 108F major
  19. 109G♭ major
  20. 110A♭ major
  21. 111F major
  22. 112G major
  23. 113F major
  24. 114G minor
  25. 115G♭ major
  26. 116C major
  27. 117A♭ major
  28. 118C major
  29. 119A♭ major
  30. 120F major
After RochutNos. 121–132
  1. 121A♭ major
  2. 122F major
  3. 123G major
  4. 124F major
  5. 125G minor
  6. 126C major
  7. 127A♭ major
  8. 128F major
  9. 129G♭ major
  10. 130A♭ major
  11. 131C major
  12. 132F major

About The Complete Vocalises

Marco Bordogni’s one hundred thirty-two vocalises in one book, numbered following Joannes Rochut’s 1928 transcription for trombone and the 12 studies Rochut missed included. Newly engraved from Bordogni’s own prints.

Source: Engraved by Practice Farm. Bordogni's own prints, published by the author in Paris: 11e, 12e, 8e, 6e, 4e and 5e livres, copies at the Bibliothèque nationale de France, digitised on Gallica; and the 36 Vocalises, G. Schirmer, New York, 1897, edited by Max Spicker.

The Complete Vocalises for other instruments

Engraved like a printed part

These editions are engraved with great care for readability and aesthetic quality, following modern engraving conventions in order to produce a clean and beautiful score.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

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