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Johann Sebastian Bach · Cello Suites, BWV 1007-1012

Cello Suites, BWV 1007-1012 for double bass

Every study in its printed key, in the lowest octave that fits the double bass's range, in tenor clef or bass clef.

30 studies in tenor clef or bass clef, each in its printed key, set in the lowest octave that fits the double bass's range, with the edition’s dynamics, breaths and phrasing.

30
studies
5
keys
tenor clef or bass clef
clef
67
pages (Letter)

US$12PDF, Letter and A4

Try the first study free (PDF)

Studio licence included: print copies for your own students.

The first studies, two pages further in, and the title page. Tap a page to see it larger.

Contents

30 studies in 5 keys.

  1. 1G major · tenor clef
  2. 2G major · tenor clef
  3. 3G major · tenor clef
  4. 4G major · tenor clef
  5. 5G major · tenor clef
  6. 6G major · tenor clef
  7. 7C major · tenor clef
  8. 8C major · tenor clef
  9. 9C major · tenor clef
  10. 10C major · bass clef
  11. 11C major · bass clef
  12. 12C major · tenor clef
  13. 13E♭ major · tenor clef
  14. 14E♭ major · tenor clef
  15. 15E♭ major · tenor clef
  16. 16E♭ major · tenor clef
  17. 17E♭ major · tenor clef
  18. 18E♭ major · tenor clef
  19. 19E♭ minor · tenor clef
  20. 20E♭ minor · tenor clef
  21. 21E♭ minor · tenor clef
  22. 22E♭ minor · tenor clef
  23. 23E♭ minor · tenor clef
  24. 24E♭ minor · tenor clef
  25. 25G major · tenor clef
  26. 26G major · tenor clef
  27. 27G major · tenor clef
  28. 28G minor · tenor clef
  29. 29G major · bass clef
  30. 30G major · tenor clef

About the Cello Suites, BWV 1007-1012

Johann Sebastian Bach’s Cello Suites Nos. 1, 3, 4, 5 and 6, BWV 1007 and 1009-1012: thirty movements, prelude to gigue, the unaccompanied repertoire every cellist reads and every low instrument borrows. Suite No. 2 is not included.

Source: Cellofun.eu's editions, dedicated to the public domain; Suite No. 2 is Frédéric Boulanger's transcription, CC BY-SA 4.0.

The Cello Suites, BWV 1007-1012 for other instruments

Engraved like a printed part

Each study is transposed and re-clefed into the instrument's range and engraved at a 7.5 mm staff with a printer's margins. A short study shares a page rather than leave half of one empty, and a long one opens on a spread: never a turn inside a study.

For you and your studio

Print as many copies as you need for yourself and your own students. The file itself is not to be passed on or posted.

Cut for double bass

Every study sits in and reads in its clef, so nothing has to be transposed at the stand.

All editions for double bass

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