Practice Science5 min readJuly 21, 2025

The hidden cost of repetitive practice

Learn how repetitive practice causes 60-90% of musician injuries and how Practice.farm's features could help mitigate this risk

NM
Nick Mahon
Founder & Creator of Practice.farm

The hidden cost of repetitive practice

Between 60 and 90% of professional musicians face performance-related musculoskeletal disorders at some point. Poor posture and overexertion play their parts, sure, but the real troublemaker is the relentless repetition baked into traditional practice methods. The good news? Research also points to a way out, suggesting that mixing things up can slash injury risk by 39 to 64%.

A look at the numbers

The evidence isn’t subtle. A study in Occupational Medicine uncovered that 87% of orchestral musicians deal with injuries tied to their craft. In addition, 60% of music students feel the strain of overuse before they graduate. The annual bill for treating musician injuries clocks in at $187 million, according to International Archives of Occupational and Environmental Health.

What’s driving this? Repetition, plain and simple. When you hammer the same piece, the same way, day after day, your body takes a beating. Muscles get stuck in a loop, firing the same way every time, while joints lock into unchanging positions. Blood flow dwindles to those overworked spots, and imbalances creep in. It’s a slow build, but the damage stacks up.

The brain and body connection

Then there’s focal dystonia, a nightmare for any musician. It’s when your muscles turn against you, twitching or locking up without warning. Research ties it straight to repetitive practice. Picture your brain’s motor cortex, the part that tells your fingers what to do. Keep feeding it the same exact movements, and it starts to blur the lines between them. The zones that control each finger smear together, a process called dedifferentiation. Studies say varied practice can stop that slide, keeping your brain sharp and your hands steady.

A smarter way to practice

That’s where Practice.farm comes in. Take its random key transposition feature. Every time you play, the notes shift to a new key, forcing your fingers to adapt. It’s not just about keeping things fresh - different fingerings mean your muscles don’t get stuck in a rut. Your joints move through a fuller range, and the workload spreads out. Still, no system’s foolproof. You’ve got to stay alert for red flags: lingering soreness, tingling in your fingers, or a dip in precision that doesn’t shake off. Pain that hangs around after you stop playing is a signal to pause and rethink your approach.

The path forward

Practice.farm isn’t just about leveling up your skills. It’s about keeping you in the game for the long haul. Every random key, every variation to the routine, is a step toward a healthier career.

Dig deeper into the science:

Take control of your musical future:
Check out Practice.farm’s transposition features and start practicing smarter, not harder.


Sources:

  • Baadjou, V. A., et al. (2018). Preventing musculoskeletal complaints in music students. Occupational Medicine, 68(7), 469-477.
  • Roos, M., & Roy, J. S. (2021). Leveraging implementation science to reduce musician injury. Applied Ergonomics, 96, 103477.
  • Cattaneo, Z., et al. (2020). Neuro-mechanical aspects of playing-related disorders in violinists. Frontiers in Human Neuroscience, 14, 346.

About the Author

Nick Mahon

Nick Mahon

Founder & Creator of Practice.farm

Nick Mahon has been a member of the Orchestre Symphonique de Québec since September 2013 and was appointed principal trombone in 2016. He performed as soloist with the OSQ in 2017, playing the Albrechtsberger Concerto for alto trombone. In 2019, he joined the faculty of the Conservatoire de musique du Québec as professor of trombone.

A native of London, Ontario, Nick studied music performance at the University of Toronto. His festival experience includes the Tanglewood Music Centre and Music Academy of the West. He has performed with the Hong Kong Philharmonic, Toronto Symphony Orchestra, Canadian Opera Company, and numerous other Canadian orchestras, and was a multiple prize winner at the 2011 Orchestre symphonique de Montréal competition.

Drawing on nearly 20 years of software development experience, Nick created Practice.farm in 2025. What started as a personal practice tool evolved into a resource he shared with his students at the Conservatoire. Practice.farm has since grown into a comprehensive practice application serving musicians around the world.

To learn more about Nick's development work, visit his portfolio website.

Tags

#injury prevention #repetitive strain #practice health #musician wellness

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